Origamie facile
By this I mean that we no longer have a closed system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Origami fleur
Uchiyama is reported as getting a patent Fabriquer Un Bateau En Papier Qui Flotte in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are filled with slitting to achieve ear or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the thighs. Rohm folded his Festival pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model Origami Easy Step By Step achieved only by folding.
Origami facile
Kent du Pre has done such work with Symmetric figures such as stars from which flowers can be folded. Irregular figures have made an appearance occasionally, however the most extreme form occur in Paper Miracle with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive thickness. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and Bateau De Papier Chanson distinguishes it as typical of very early Japanese Origami.
Fleur origami
Within a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling This is now usual in animal folds to call for a final modelling particularly when foil has recently been used and one can make sure of the substance remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The thought of wetting the paper seems to be Japanese in origin was demonstrated by Yoshizawa at Origami Box With Lid a Convention in Liverpool. Another method of wet moulding using paste in the preparation is talked about by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be soft and that we are approaching sculpture rather than Origami.
Fleur en papier
The trimming out of holes and so forth. to indicate eyes and so on is sometimes found in Japanese books and we are obviously dealing with a approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri Bateau Pirate En Papier Maché (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and plainly here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its easiest form we may use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. One of the most unusual form of 'display mechanics' that We am familiar with is by Toyoaki Kawai.
Bateau en papier
Typically the associated arts are Weaving and Origami Owl Discount Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the finish to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer technique is exploited for its own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of document each folded to represent some part of the pet and then brought with each
Comment faire un avion en papier
Inside the most extreme mixtures of water and document we are, naturally , in the world of papier-mache which is plainly an open-ended art. DecoratingThe simplest step from a single color is one side colored and one white or plain. A great package of modern Origami exploits this colour difference. A delightful example is Joan Homewood's Robin. We can use
the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design well suited for an exclusive model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bows and finally string.
